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PORCO.DOC [1 PORCO ROSSO review]
* formatted to a 73-character line *
---------------------------------
WRITTEN BY: Lisa Nesselson
FIRST PUBLISHED IN: VARIETY, July 24-30, 1995; Film Reviews section,
p. 71
FIRST POSTED TO <NAUSICAA@BROWNVM> BY: Steven Feldman, June 18, 1996
PORCO ROSSO (JAPANESE)
by Lisa Nesselson
An AMLF release (in France) of a Le Studio Canal Plus/UCORE presentation
of a Studio Ghibli/Nippon Television Network/JAL Cultural Development
production. Produced by Toshio Suzuki. Co-executive producers,
Yasuyoshi Tokuma, Matsuo Toshimitsu, Yoshio Sasaki.
Directed, written by Hayao Miyazaki. Camera (color), Atsushi Okui;
editor, Takeshi Seyama; music, Joe Hisaishi, Toshiba Emi; production
design, Katsu Hisamura; sound (Dolby), Naoko Asari, Makoto Sumiya;
special effects, Kaoru Tanifuji, Tomoji Hasizume, Tokiko Tamai. Reviewed
at UGC Odeon Cinema, Paris, June 24, 1995. Running time: 90 min.
Top-notch animation in the service of a dapper aviator hero--who
happens to be a pig--and his mechanic--who happens to be an appealingly
self-assured teen heroine--makes "Porco Rosso" a winning, ultimately
bittersweet viewing experience for all ages. A major B.O. [boxoffice]
hit in its native Japan, the pic took top honors at the 1993 edition of
the biannual Annecy animation fest and was scooped up by Gallic
powerhouse Le Studio Canal Plus, which hired the revered Jean Reno
("The Professional") to voice the title character for the French version.
Not unlike a milder version of Art Spiegelman's "Maus," pic uses a
"naive" form to tell a sophisticated story, which opens in Italy between
world wars, in 1929. It is never explained how, exactly, Marco--founder
of the Italian Aviators Club--was transformed into a giant pig, known as
Porco Rosso. He reveals only that he prefers "being a pig to being a
fascist."
With his bright red open-cockpit hydroplane parked on the beach, the
renegade flying ace lives in secret on a deserted island in the Adriatic,
from which he takes flight to rescue victims from a band of air pirates.
When his plane needs repairs, he entrusts it to longtime pal Piccolo,
whose tomboyish granddaughter Fio is a gifted engineer-cum-mechanic.
She's cute, hardy and industrious, and also proves to be headstrong
and fearless. Pic is brimming with positive female role models for young
viewers, although story's melancholy tilt will have its greatest
resonance for adults.
Sultry Gina, who sings at the classy hotel she owns while carrying a
torch for Marco, adds a deep streak of sentimental longing to the tale.
Mix in a vain and ambitious villain of an American pilot, the fascist
secret police, and a band of air pirates with a code of honor--and the
ingredients are in place for a daring duel in the sky.
Animation, from the famed Studio Ghibli, has an impressive sweep and
grandeur--smoke, shadows, clouds and every aspect of soaring through the
air in an open cockpit plane is lovingly detailed. Whether it's the
bobbing Adriatic or the open sky, there's a full-bodied feel for movement
and the same attention to "focal lengths," framing and editing as in the
boldest live-action features.
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